Here's a roundup of this week's new music releases...
Bat For Lashes - Fur and Gold (Caroline)
Buy It @ Amazon
"Bjork doesn’t do piano ballads or have the 60’s girl-group influences, Kate bush has a more Irish feel with a cheesy mid-eighties sound which while I love it, is not me. So many things inspire me: Classical, desert music, Film scores. Every song I write I have a picture in my head, it’s very visual." - Natasha Khan, Bat For Lashes [Source: Culturedeluxe]
Placebo - Extended Play '07 (Virgin)
Buy It @ Amazon
"We've always had kind of a cult following in the States; we'd spent a couple months touring each album [in the U.S.]. There seems to be more of a connection over there, and things are starting to happen now... The MySpace page has gained a strong following and has had a really positive response. So we're just kind of building on that, you know, and we have a hard time saying 'no' to people that want to see us play." - Stefan Olsdal, Placebo [Source: 411mania]
Hans Zimmer - The Simpsons Movie Soundtrack - Limited Edition Donut Packaging (Adrenaline)
Buy It @ Amazon
"[The Simpsons is] such an iconic part of today's culture. And I had to try and express the style of The Simpsons without wearing the audience out with too much attitude! [With the limited edition CD] we wanted to have some fun and really try to do something that would appeal to the fans and be hard to miss in the record store." - Hans Zimmer [Source: IGN]
And here are a bunch of new releases from last week that I should highlight for y'all (sorry I was away on summer vacay last week)...
Bishop Allen - The Broken String (Dead Oceans)
Buy It @ Insound
"It’s more of a studio record. We went somewhere and worked hard to make it sound really cool, to make it sound a certain way. It’ll come out, we’ll tour, and we’ll actually be able to play a lot more shows because we won’t be in the studio all the time. We’ll see what happens.” - Justin Rice, Bishop Allen [Source: Cokemachineglow]
Emily Haines & the Soft Skeleton - What Is Free to a Good Home (Last Gang Records)
Buy It @ Insound
"It's kind of like poems for people who don't read poems. [My father Paul Haines] wouldn't call it poetry; just kind of crystallized fragments and observations. He had a real love of language. It's kind of like the final installment of my homage to my freaky, avant upbringing." - Emily Haines [Source: Pitchfork]
Garbage - Absolute Garbage (Almo Sounds)
Buy It @ Insound
"The chronological order works well and the album plays well, but Garbage is cursed by their early success. The bulk of their strongest material comes from their first two records. They recorded good songs later, but not all were chosen as singles. Absolute emphasizes the singles, meaning some of the songs representing Beautiful Garbage and Bleed Like Me weren't the best songs from either. AG paints a good, if incomplete, portrait of the band's career because nearly every song on the set is good and some of them are great." [Source: Blogcritics]
The Lovemakers - Misery Loves Company (Fuzz Artists)
Buy It @ Amazon
"We really want to make our own rules, based on what would be best for us and what we want to do, rather than have a label dictate to us what we should do. There's a big, wide-open space right now for the entire industry to change and for the way people receive and listen to music. There's a big opportunity to make the rules over." - Scott Blonde, The Lovemakers [Source: SFGate]
Prince - Planet Earth (Sony)
Buy It @ Insound
"Prince has now ascended into that zone, where the likes of Paul McCartney, Stevie Wonder and Sting reside and where provocative revolutions are in the past. And like those aforementioned artists, Prince often, sometimes unfairly, has to compete with his halcyon years. If the ’80s can be viewed as his greatest years, and the ’90s as his most callow (OK, call it mid-life crisis), Prince’s current period, starting with 2004’s Musicology, can be called his quintessential years, in which his music hardly surprises, oftentimes faintly recalls yesteryear, but nevertheless scintillates at an above-average to high caliber. Unlike on his previous two albums, though, Prince sounds more comfortable in this era of his career." [Source: BET]
Robbers on High Street - Grand Animals (New Line)
Buy It @ Insound
"[The band] called on Italian film composer Daniele Luppi, who had never worked with a rock band, hoping to capture a British Invasion sound that vibes with the band's power-pop energy. Although Grand Animals falls short of hitting that mark, but the album is more sophisticated than Robbers on High Street's one-dimensional debut." [Source: Prefix]
Sebadoh - The Freed Man - Reissued with Extra Tracks (Domino)
Buy It @ Insound
"The album is a collection of home recordings… recorded at home, alone. It is almost impossible to capture intimacy like that in a studio and definitely not as a 19-21 year old studio novice… we had a four track and knew how to use it. I suppose some of the songs may have survived in a studio but I’m not sure… each song is its own separate entity. The Freed Man is not a an album that was preconceived in any way. We were very happy to let the recordings in their raw form speak for themselves. We came from the hardcore punk movement, '80-'83, The Freed Man was our way of expanding on what we took from that scene… honesty, DIY..." - Lou Barlow, Sebadoh [Source: The Skinny]
Tegan & Sara - The Con (Sire)
Buy It @ Insound
"When it comes down to me sitting down with my guitar in my room writing a song, I rarely think about saying something political. I'm not totally sure why. Maybe in my heart, I'm a romantic and self-absorbed." - Sara Quin, Tegan & Sara [Source: The Star]
UNKLE - War Stories(Red Ink)
Buy It @ Insound
"[My guest collaborators are] always pretty influential. Most of them write their own lyrics. They take away what I've given them as a basis, and a melody, then they come up with the lyrics and sing the song. And when you're working with a band, like Autolux, they bring in a lot of their own spirit and do a lot of the playing as well." - James Lavelle, UNKLE [Source: Artistdirect]
John Vanderslice - Emerald City (Barsuk)
Buy It @ Insound
"A lot of the narratives on this record are really refracted personal experiences about state power... It's just that the world is so f---ed up, it's kind of hard not to write about it... It's not like I feel like I'm making a case when I'm writing about political stuff at all, but for me, it's impossible to ignore some of these things. It's not actionable material. I'm just writing songs because it's things I'm experiencing." - John Vanderslice [Source: Aversion]
Yeah Yeah Yeahs - Is Is (Interscope)
Buy It @ Insound
"The songs on the Is Is EP were indeed written in between Fever to Tell and Show Your Bones, but for this project they felt as fresh as ever. The studio is a creative tool in and of itself, and we knew that these songs needed some studio treatment to help realise their potential. It was the right time to finally open up the cages and let these wild animals loose on the world! Our next album proper will be along the lines of a complete freak-out Jesus Lizard-related concept album that will sound similar to what you've heard before but a little more chillaxed. Consider yourself warned…" -Brian Chase, Yeah Yeah Yeahs [Source: Drowned in Sound]
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